
The Writer's Tale; by Russell T Davies and Benjamin Cook
The Writer’s Tale goes behind the scenes of Doctor Who‘s fourth year and, even better, behind the scenes of showrunner Russell T Davies’ mind.
Email conversations between Davies and journalist Benjamin Cook sit alongside early drafts of Doctor Who scripts. The finished product is outstanding.
More a book about writing than the story of Doctor Who, Davies is endlessly honest and open about the pains of writing the BBC’s flagship show. Creating Doctor Who is revealed as difficult, immensely stressful and a time-consuming occupation.
Added to this, you find out about how much more Davies does for the show. As executive producer he is involved at every stage, re-writing other scripts, casting, haggling with the BBC on budget and time, shepherding the whole, mammoth, project from start to finish.
Cook, a regular contributor to both the Radio Times and Doctor Who Magazine, follows Davies for a year. He takes the reader from the earliest seeds of Christmas special Voyage of the Damned to the opening scenes of The Next Doctor. The reader is also taken line-by-line through Partners in Crime, Stolen Earth and Journey’s End. Without Cook, The Writer’s Tale would never have been what it is.
The pair also vividly demonstrate the enormous team behind the show. Julie Gardner and Phil Collinson stand out as key partners; both leave the Doctor Who team with Davies before the fifth season is put together for 2010.
For much of The Writer’s Tale Cook, more often ‘invisible Ben’, is sent page after page of work-in-progress script – all reproduced in the book – giving some input, offering a sounding board. It’s fascinating for a fan of the show to see what could have been, the ideas that fell by the wayside, the sequences cut for budget or failing.
The two authors corresponded almost every day for a year. The insights into Davies’ life and work are fascinating. He tells Cook of his flying heights and dark, dangerous, lows. He layers on the back story, revealing how personal experience fuelled much of his famed Queer as Folk.
The book is funny. Both men have a brilliant sense of humour and it pours forth from their writing. The subject lines on their emails, sometimes lasting weeks, are a nice touch above and beyond the conversations themselves.
Beautifully produced, the 500-plus pages are lavished with stills from the show, pictures from the set and dozens of Davies’ own brilliant cartoons. Simple layout touches throughout add to the overall impression of a hugely high quality piece of work.
As much faith as I have in Steven Moffat, who takes over the show following the 2009 specials, The Writer’s Tale underlines the irresistible force of Davies’ – without whom Doctor Who would never have returned to millions of televisions in 2005. He is the life blood of the reinvigorated programme, forcing his exuberant personality onto the show.
He will be missed.